![]() ![]() Stations currently broadcasting on longwave in Algeria 153 Chaîne 1 Béchar, Béchar hours in Arabic irregular & on low power 198 Chaîne 1 Ouargla hours in Arabic irregular & on low power 252 Chaîne 3 Tipaza h in French half-power Stations currently broadcasting on mediumwave in Algeria 531 Jil FM F'kirina Wilaya, Oum El Bouaghi h in Arabic/French/Tamazight 549 Jil FM Sidi Hamadouche, Sidi Bel-Abbes h in Arabic/French/Tamazight 558 Radio Ouargla Touggourt, Ouargla 10 24h in Arabic, including relays of Chaîne Radio Béchar Béchar, Béchar h in Arabic half-power Radio Tindouf Tindouf, Tindouf 10 24h in Arabic, including relays of Chaîne Chaîne 2 Aboudid, Tizi Ouzou 5 24h in Tamazight 693 Radio Adrar Reggane, Adrar 10 24h in Arabic, including relays of Chaîne Radio Laghouat Laghouat, Laghouat 25 24h in Arabic/French, incl relays of Chaîne Radio Illizi In Aménas, Illizi 5 24h in Arabic, including relays of Chaîne Radio Illizi Djanet, Illizi 5 24h in Arabic, including relays of Chaîne Radio Oued Souf El Oued, El Oued 10 24h in Arabic, including relays of Chaîne Chaîne 3 Béchar, Béchar in French 873 Radio Ghardaia Ghardaia, Ghardaia 10 24h in Arabic, including relays of Chaîne Chaîne 1 Ouled Fayet, Algiers h in Arabic half-power Chaîne 1 Tamanrasset, Tamanrasset 10 24h in Arabic 927 Radio Adrar Timimoun, Adrar 10 24h in Arabic, including relays of Chaîne Chaîne 2 Ouled Fayet, Algiers h in Tamazight 1026 Radio Ourgla Hassi Messaoud, Ouargla 10 24h in Arabic, including relays of Chaîne Chaîne 1 Illizi, Illizi 5 24h in Arabic 1089 Radio Adrar Adrar, Adrar 10 24h in Arabic, including relays of Chaîne Radio Tamanrasset In Salah, Tamanrasset 10 24h in Arabic, including relays of Chaîne Various Algiers, Algiers 50 Radio Coran: in Arabic Chaîne 1: in Arabic Radio Culture: in Arabic Chaîne 3: in French 1550 National R of SADR Rabouni, Tindouf & in Arabic & Hassaniyya, in Castillian (subject to confirmation) 2ģ Radio Algérienne shortwave service Shortwave services consist of relays via TDF Issoudun in France of Radio Algérienne Chaîne 1 or the Holy Qur'an programme, with short news bulletins in French, for listeners in North Africa and the Sahel. Local stations: Local and regional services operating from provincial centres, with Radio Algérienne programmes acting as a sustaining service at various times of the day and overnight. Radio Culture: Cultural servicee in Arabic. ![]() ![]() Radio Coran: Holy Qur'an service in Arabic. Jil FM: National service in Arabic (with some French/Tamazight), operating 24 hours a day for the age group. ![]() Chaîne 3: National service in French, operating 24 hours a day. Chaîne 2: National service in Tamazight, operating 24 hours a day. Services currently on longwave and mediumwave are: Chaîne 1: National service in Arabic, operating 24 hours a day. It operates national and regional stations on longwave, mediumwave and FM. the main goal behind CRI service is to establish friendly relation between peoples republic of china and other countries of world with help of this news publishing platform.1 British DX Club Africa on Mediumwave and Shortwave Country-by-Country Guide to Mediumwave and Shortwave Broadcasting in Africa including opposition and target broadcasts to the African continent and a complete list of mediumwave stations operating in Africa January 2017Ģ Mediumwave and Shortwave Africa on Mediumwave and Shortwave Contents 2-30 Country-by Country guide to broadcasting in Africa on mediumwave and shortwave Selected target broadcasts to the African continent for B Mediumwave frequency guide, including longwave stations in North Africa Algeria Radio Algérienne is part of Entreprise Nationale de Radiodiffusion Sonore (ENRS). The Stations broadcast live in 61 languages world wide. China Radio International Commonly Known as CRI, is an International Radio News service by China broadcast from Capital Beijing. ![]()
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Lego digital designer lego digital designer software#lxf files into BrickLink, and that will continue even after the original software shuts down at the end of this month. io files, which are based on the LDraw standard developed by the fan community. The talented team behind Studio see this clearly and continue relentlessly to further innovate and improve the Studio experience.” “For digital building to be not only a nice feature for some, but a meaningful part of many people’s LEGO building experience, it must be an integrated and useful part of both the design, the building and the sharing experience. “When the LEGO Group acquired BrickLink, one of the things that impressed and inspired us was their purposeful development of the Studio software,” added the LEGO Group’s Head of AFOL Engagement Tormod Askildsen. “Going forward, the Studio team will continue to focus on making digital building as intuitive as physical building, and encourage even more builders to share their creations to inspire and help each other.” “Studio was created because at BrickLink, there is a great belief in how digital LEGO building could unlock true potential of everyone’s creativity by lowering the entry barriers and motivating people to inspire each other,” said Casper Thingholm, Head of BrickLink. 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#Virtus fluid mask full#It hasn’t won a trophy cabinet full of awards for no reason. But Fluid Mask 3 is certainly a much more controllable and powerful application. It’s competition, namely Photoshop Elements’ Magic Extractor, and Photoshop CS4’s Quick Selection/Refine Edge combination is formidable. As a consumer, it’s stiff outlay if you’ve already spent your pennies on Adobe Creative Suite, but if you are after a great plugin that really works, this is definitely worth looking at. As a professional, this is a small price to pay as you would easily make your money back in a week in saved time. You will need more than loose change for the pleasure. As it’s been aimed at consumers and professionals, it is of course compatible with Wacom tablets. ![]() #Virtus fluid mask software#Can also be used a stand alone software rather than a PS plug-in, but using only limited file formats. #Virtus fluid mask mac#Works on Windows XP, Vista and Mac 10.3.9 and above. #Virtus fluid mask trial#Takes a bit of trial and error, but with patience and certainly with more practice can get very pleasing results for a large proportion of images thrown at it. The real difference that I can see over other software I have used is the intelligent edge blending of FM3. I wouldn’t go as far as saying that it would cutout any image you threw at it, but from my experience, FM3 certainly would do more than other application I have used before. Obviously, for simple cutouts Fluid Mask 3 completely eats them up with ease. Given regular use, I could see this as being a huge time saving for anyone needing to do complicated cutouts. But I would probably put this down to me not quite using the right settings properly and simply getting used to the software. I did some more tests on different images and like most pieces of software of this nature, I got mixed results. Generally you would get some halo residue from the sky from a shot like this, but there is no evidence this at all. The most important thing being that it looks natural and giving the impression that it was potentially shot like that on white with no really obvious tell tale signs that it has been retouched or cutout. Blending very nicely with no real visible hard edges. As you can see, it has retained a lot of the detail both in focus and out of focus. The images below I’ve zoomed into the hair area for a closer look. After watching a few brief tutorials, I cutout my own shot (below left) in around 10 minutes, something of a record for me on an image like this I would have to say. Notoriously difficult getting the detail in and around the fine hair, showing through a new background colour. You can see my original image below right, she has plenty of fly-away hair on a neutral background. For the sake of the exercise, I cropped in and around the hair area. For my own test, I chose a reasonably difficult and perhaps typical image. To help with this, they have included some step by step instructions and video tutorials on their website which covers the basics and then moves into complicated backgrounds and some specialist cutout tutorials for hair, trees & leaves and also even the incredibly difficult cutouts of smoke. Despite it being married with Photoshop, the tools it uses are quite different. You don’t need a PhD in retouching to use it out of the box, but it is a bit of a learning curve. ![]() Like any new piece of software, it takes a bit of time to get used to, and FM3 is certainly no exception. I hadn’t used it’s predecessor FM2 before, but I had heard good things from colleagues in the past and therefore had high hopes for FM3 to be refined and developed enough to hopefully sort out all my cutout requirements. I have seen and used various software packages that boasted to ‘revolutionise cutouts forever’, but sadly despite having merit in some areas, they failed to completely live up to their own hype. I was all too eager to try out any software that was going to potentially make my life easier in this department. Cutouts are generally regarded as being a fairly painstaking and a fiddly process particularly with imagery that include things like trees and hair. I spent 18 years in the graphic design and print industry and I couldn’t even begin to think how many cutouts I have done in that time. It’s essentially a plug-in for Adobe Photoshop that assists in doing cutouts. I was asked to have a look at piece of software called Fluid Mask 3 made by Vertus. #Virtus fluid mask professional#In a streamlined interface and workflow, Fluid Mask 3 instantly shows key edges in the image and provides comprehensive easy to use tools that work with difficult-to-see edges and tricky areas like trees & lattices.It is reviewed here by regular contributor and professional fashion photographer, Nathan Pask of Our Review of Fluid Mask 3 Fluid Mask 3 is designed for photographers, image editors, graphic designers and all those who take digital image editing seriously. ![]() ![]() ![]() ![]() Unlike stiffness, live loads and dead loads are added together to determine minimum design values for strength. Joists, and rafters must be strong enough not to break when loaded. Strength of a material is obviously important.
![]() ![]() Of course I love the positive ones more! I don’t often highlight one, but this lady made a lot of effort to review A Name Among the Stars.Īs many of you know, my covers are done by Andrew Dobell (he also did Michael Anderle’s Kutherian Gambit covers). I love all my reviews, even the negative ones. ![]() If I don’t make the cut, I’ll publish it as a short story or wrap it up with the newsletter. I finished turning one thread from the unfinished book 3 of Among the Stars into a short story that has been submitted for inclusion in an anthology called The Expanding Universe this summer. There’s a fierce load of concentration going on, and writing, but not a huge amount of real progress to report. (Apart from clearing newsletter stuff today) Concentrating on Bite Back 8. I might actually get around to including a diagram of the spaceships involved, a brief summary of the physics of Chang space and associated tech (no equations, I promise) and maybe even a basic layout map of the stars of the Parvi sector.ĭunno what I’m doing for the newsletter next. Then they’ll be published on Amazon, book 1 at $2.99 on 1st July, book 2 at $4.99 on 1st August and book 3 at $4.99 on 1st September, with pre-orders from day 1. All the Bookfunnel freebies come down in a couple of weeks. Well here we are! Book 3 of the swashbuckling Space Opera The Long Way Home is up on BookFunnel. ![]() ![]() ![]() This is an area where one is always learning new things. Sometimes matches are obvious and sometimes not. Certain sites are better or worse for different classes. This is the pre-combat analysis on how your strengths and weakness match the AI. Throw Chicken is good, Throw Curse can work if your patient, Berserk are good, and so on. Non-Damage spells and abilities often take two turns. Damage spells often result in aggression after one action. It should be a trigger set only after you have decided on positioning using splits, obstacles and so forth. This action ideally should not be a melee action of you own. Initiation - when The AI is in defense mode you need to perform an action to get them to be aggressive. You can use these disposable units to ensure dangerous targets split when and where you need them to by giving the AI a sure kill only available to your target.Īction Point (AP) Draining - any action you take that is more about reducing an AI unit's action points then doing damage. Split Sacrifice - this is another positioning move, it is often good to have low health disposable units. Once the distance between your two parties is large enough the Phantasm Warrior will choose a side and it will be a split again. ![]() Then you can pull back on the Wisps and kill them by range keep your distance. You have split the Wisps because you draw their aggressive, but you positioned the Phantasm Warrior by forcing the hedge move. The Wisps phase in and often if done right the Phantasm Warrior move and guard towards the center to keep both options available. Moving them together towards the center but separated by enough hexes that the Phantasm Warrior can't hit either but close enough they each remain a target. For example dividing you team into two groups of 3 vs Phantasm Warrior and Wisps. Positioning covers a wide variety of tricks to get the AI to move or act base on the movement of your units. ![]() Splitting and Blocking are part of positioning but they are simple and straight forward. Positioning - battle position is different then splitting and blocking. This allows you to use flanks on your next turn and remove the unit quickly. The purpose is usually to position the blocker in the path of a tough target to take the first punch from that target. Your unit is in guard mode waiting to get hit. The AI will (almost) always attack to cause damage. #Age of wonders iii newbie friendly class fullSplit - taking one your unit(s) away from your main force to draw aggression from the AI and split AI forces in two (or more) groups.īlocking - position a unit one full move from the AI but still within reach of damage without giving the AI any other targets for melee that round. 3.1 Getting Pure Good alignement quickly (tip by marcuspers). ![]() ![]() ![]() Īs a child growing up without his parents, Iruka turned to performing antics in the Academy in order to gain recognition from others who would otherwise pass him over or look at him with pity for being an orphan. Naruto ignored all chūnin and jōnin who reprimanded him for painting all over the Hokage's faces and only showed fear when Iruka showed up. Because of this, Iruka came to be one of the only adults Naruto respected in his youth as well as the only person who could control Naruto's behaviour to some degree. This is seen from his lack of hostility towards Naruto Uzumaki who was often the victim of misplaced anger at the Nine-Tailed Demon Fox who was sealed within Naruto. Despite the tragedy of losing his parents at a young age, Iruka remained a determined and strong-willed individual with a kind disposition. This however, does not mean that he is a pushover, as he can be stern when the situation calls for it, most often seen when he shouts at his students in order to get them to obey him. This is most often seen through his teaching methods, often keeping a watchful eye over his students as they progress. Iruka is described as being both big-hearted, and soft-hearted. As a result, Iruka became the main reason Naruto did not become a sociopath like Gaara did. He thus resolved to be straight forward and deal with Naruto strictly in class from then on, in order to train him to become a fine shinobi. He also thanked the Third for assigning Naruto to him. This would surprise Naruto as this was the first time anyone in the village showed they actually cared for his well-being. After saving Naruto and bringing back the document attached to the artefact the latter retrieved, he reprimanded Naruto for such a reckless behaviour. Iruka chased him down and protected him from Takigakure spies who were attacking Naruto, eventually backed up by Kakashi. Later, Naruto went into the woods to steal items from corpses. He tried to ask the Third Hokage if he could not teach Naruto, though he was eventually disabused by the notion by Kakashi Hatake. When Naruto became his student, he found it awkward to deal with the person containing the very monster responsible for his parents' death. In the anime, it was revealed that Iruka became a teacher because he wanted to pass on the Will of Fire to the next generation in this manner, inspired by the Third Hokage's wisdom. Iruka deciding to become an instructor of the Academy. In the anime, it was noted that due to other people giving Iruka more attention than they do to Mizuki, Mizuki's kindness to Iruka revealed to be an act just to gain the Hokage's approval, all the while making Iruka miserable discreetly. Mizuki was a childhood friend of Iruka's after the Nine-Tails Attack, and usually made him feel better. He would spend his time at the monument where his parents' names were engraved, and, in his darkest moments would be cheered up by the Third Hokage. Iruka thereafter became a prankster, trying to gain attention to stave off his loneliness. With his family gone, Iruka had no one to give him attention. ![]() He was forcibly removed from the battlefield by an unknown shinobi while he called out for his parent to no avail. His father declared that it was the parents' duty to keep their child safe from harm. Initially, a young Iruka was present on the battlefield, and wanted to stay in order to protect his mother. Iruka's parents were killed in the Nine-Tailed Demon Fox's Attack twelve years before the beginning of the series. Iruka with his mother during the Nine-Tails' attack on Konoha.
![]() ![]() The Big Race: San Francisco starts this timed sub-wizard mode. ![]() A strange creature abnormally grows to giant size and starts chasing you. Attack of the 50-Foot Whatever: Takes place during "Attack of the Creature", mid-late game further in the West.If the score on the last ball is under 50 million points, shooting Open the Trunk and choosing the right option will always award either a four-ball Passenger Frenzy if in the City, or Police Chase Frenzy if on the Road.On default settings, draining while On the Road will immediately take you to the City you were headed to.There's an Air Bag that can pop up in the middle of the lower flipper area, but you'll need to earn it with the help of some Magno-Chargers. Also included is an alien that takes the second Passenger slot for Passenger Frenzy.Alien Invasion: One of the game's City missions, in which saucers threaten to destroy parts of the city.It also has adjustable skill levels and improved graphics, such as motion blur and a subtle texture on the pinball. #Pro pinball timeshock guide pro#The game engine is mostly the same as the one in Pro Pinball: Timeshock!, though there are more simulation controls available, allowing players to change game factors like the flipper strength, table angle, and the amount of wear on the playfield. Look for chances to make a quick getaway, and earn money to buy useful stuff at Jay's throughout the game. You can build up your speed On the Road, but watch out for challenges from other vehicles. In the cities, you'll get chased by police, shoot down flying saucers, and deal with gridlocks and parking garages. Unlike the dark and edgy themes of the earlier Pro Pinball games, Big Race USA goes Lighter and Softer, featuring a cartoony taxicab racing across the continental United States. It was also available for the Sega Dreamcast as part of "Pro Pinball Trilogy". It was released by Cunning Developments in 1998 for the IBM Personal Computer, with versions for the PlayStation and Apple Macintosh. Pro Pinball: Big Race USA is the third digital pinball game in the Pro Pinball series. ![]() ![]() ![]() The INDEX function simply selects the value from within the array that falls in the row and column corresponding to row_num and column_num. column_num is an integer that specifies the column number (within array) from which we want to return a value.row_num is an integer that specifies the index of the value (within array) that we want returned by the function.array is an array or range of cells from which we want to select a value to be returned.The syntax for the INDEX function is: INDEX( array, row_num, ) The INDEX function is used to find the value at a given index of a given range. Let us first individually look at what each of these functions does. The formula to flip a column in Excel involves the use of the INDEX and ROWS functions. If you want to get the job done in fewer steps, you could use formula instead. Using a Formula to Flip a Column in Excel You can use this same technique to flip a whole table. Start by typing 1 in the first cell, 2 in the second cell and then using the fill handle (or flash fill) to create a series of numbers that end at the row corresponding to the last item of the list. Fill this empty column (column B in our case) with numbers.If the column next to the one that you want to flip is not empty, then add a blank new column next to it (by right clicking on the column heading and selecting ‘Insert’).Once this helper column is ready all that we need to do is select both columns and sort the helper column in descending order! ![]() ![]() This column will work as a sort of ‘index’ column, with each number serving as an index for the corresponding list item. The first method requires the use of an additional “ Helper” column which will contain numbers 1,2,3… in ascending order. Using a Helper Column to Flip a Column in Excel #TABLEFLIP FLIPPED HOW TO#Using each method, we will show you how to flip the above list of items, so that they are displayed in the reverse order. ![]() |
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